Ideology of Allergy series

Thinking about what an ideology of allergy might look like, I reference my own experience with allergies, as I have always been very much aware of the extent to which they shape one's experience of the world  more

Design for a Garden Fence Panel, 2019, watercolor and felt-tip on paper, 45 x 54 cm.

A design for a garden fence made out of biting, interlocking golden retrievers - reducing the dogs to mere protective material - that can never be executed  more

House, 2021, 14 pages, black inkjet print on newsprint, 17 x 25 cm.

This booklet came about as an intuitive investigation into the power structures that make up a house. I superimposed hand-drawn, black-and-white images of abstract  more

Madonna Of The Rabbit , 2020, 39 x 41 cm, watercolors, gouache, pen and pencil on paper

Head (self-portrait), 2021, water color, felt-tip pen and pencil on paper, 30 x 40,8 cm.

Every Time He Moves He Is Indecent, 2021, water color, felt-tip pen, pencil and collage on paper, 70 x 110 cm.

Two Structures (Chapels), 2021, 40 x 53 cm, watercolors on Toyobo etching on paper (printed by Eric Levert)

The Apology I Expected, 2024, situation with two actors and an audience  more

Calculus Of Pleasure (camouflaged) series  more

Wall Section 2, 2020, 140 x 170 cm, oil, pen and pencil on linen.

Wall Section 1, 2020, 140 x 170 cm, oil, pen and pencil on linen.

Design for a Bookcase, 2019, gouache, pigment print and collage on colored paper, on panel, 195 x 200 cm.

Cindy, 2012, 63 x 160 cm, pigment pen on paper. In I Could See the Smallest Things at Antenna Space Gallery, Shanghai, 2017

Asymmetry Park, 2017, 200 x 195 cm, gouache, watercolors, pen and pencil on paper. Installation view West Bund Art Fair, Shanghai

Howe to Dwight, installation view, Yale School of Art, New Haven CT, USA  more

Apology, 2015, situation in John Edwards College, Yale University, New Haven CT. USA  more